Paris, France, 29-30 May 2015 University of Paris-Sorbonne / Ircam The deadline to submit papers is January 31. For more information, click here.
The December, 2014 issue of Organized Sound features a number of articles relevant to the topic of animated music notation, real-time score generation, etc. Authors include Lindsay Vickery, David Kim-Boyle, Filipe Lopes, Lonce Wyse and Jude Yew, Thor Magnusson, Arne Eigenfeldt and others. Click here to be redirected […]
Three things: Firstly, my posts have not been appearing in a timely-fashion. I think I have solved this. Secondly, I have been working toward making the site more flexible, more searchable, generally easier to deal with. As always, if anyone has thoughts on what they might like to […]
Nick Collins’ Chasing Visuals. Click here to see the score [runs in the browser].
Paul Turowski’s Hyperions for solo instrument. Click here for more information on Paul’s work, or find him under the composers tab.
Josten Myburgh’s Dedications, for voices, chamber ensemble, and 8 speakers. Click here for more information on Josten’s work, or find him under the composers tab.
[Call for Papers] TENOR 2015 First International Conference on New Technologies for Music Notation and Representation
Paris, France, 29-30 May 2015 University of Paris-Sorbonne / Ircam The first International Conference on New Technologies for Music Notation and Representation is dedicated to issues in theoretical and applied research and development in Music Notation and Representation, with a strong focus on computer tools and applications, as […]
André Vida in The Wire, documenting his Moving Scores installation at Eyebeam, NYC. Click here for more information.
THE MAX MAESTRO is an animated notation system for choir/ crowd of people, which was developed within the artistic research project VOICES OF UMEÅ by Anders Lind, composer, CD at the Department of Creative studies/ Umeå university/ Sweden. It runs as a standalone application, created in MAX/MSP and […]